Saturday, 13 September 2014
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ianference:
This photograph of the second-story landing of the floating staircase in the now-demolished Clocktower building at Worcester State Hospital was over 6 years in the making. I first attempted to capture it in 2006; I got my film back and was unimpressed with the results. I tried other times over the years. I’d get my film back, and be unimpressed. Finally, in 2012, right before they demolished the asylum, I made a final trip and made a 10-minute exposure right during sunrise - and it came out perfectly.

ianference:
This photograph of the second-story landing of the floating staircase in the now-demolished Clocktower building at Worcester State Hospital was over 6 years in the making. I first attempted to capture it in 2006; I got my film back and was unimpressed with the results. I tried other times over the years. I’d get my film back, and be unimpressed. Finally, in 2012, right before they demolished the asylum, I made a final trip and made a 10-minute exposure right during sunrise - and it came out perfectly.

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ianference:
This curved connector hallway joined the two sandstone wards at the H. H. Richardson-designed Buffalo State Hospital, probably the most architecturally rich asylum in America. The curvature was a brilliant forethought - decades after the asylum was built, it was overcrowded, but it was impossible to fill this hallway, which acted as a fire barrier, with patient beds.

ianference:
This curved connector hallway joined the two sandstone wards at the H. H. Richardson-designed Buffalo State Hospital, probably the most architecturally rich asylum in America. The curvature was a brilliant forethought - decades after the asylum was built, it was overcrowded, but it was impossible to fill this hallway, which acted as a fire barrier, with patient beds.

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barbarastanwyck:
Bette Davis on the set of The Man Who Came to Dinner, 1942

barbarastanwyck:
Bette Davis on the set of The Man Who Came to Dinner, 1942















